Within the span of a week, I discovered two totally separate uses of an unusual architectural product, a sculpted square concrete block inscribed with an artistic pattern of rectangular shapes.
This example is used on the entry overhang of a four-plus-one apartment building on northern Ridge Avenue in Evanston, where its use vaguely evokes the image of an Aztec temple emerging from the jungle.
The same design is used on the stairwell decoration panel on a 3-flat on 55th Street near Midway Airport.
In both cases, rotating the block allows its complex patterns to overlap and interweave between blocks, erasing the distinction between the individual blocks and obscuring the fact that this is simply one design repeated over and over.
The design brought to mind a certain Rogers Park apartment building, and sure enough, one of the geometric forms on its wall is the very same block:
The recurrence of the blocks suggests that these were a product from a catalog, rather than the custom design I originally imagined. If so, were there other designs? Who manufactured them? Were they used by the same architect in all three cases? (N. S. Theodorou designed the Rogers Park building.)
The blocks certainly owe a heavy debt to the concrete textile blocks used by Frank Lloyd Wright in several of his California houses. Considering the 1950s fascination with the glamor and style of California living, the connection isn't too surprising.
Sunday, May 10, 2009
Saturday, May 9, 2009
Preliminary Demolition Underway at Michael Reese
The first signs of demolition work have appeared at Michael Reese Hospital.
The round Wexler Pavilion has had two of its windows removed, with Dumpsters placed beneath the openings. Large-scale debris is piled up in the lobby. Recessed light fixtures in the exterior overhangs have been ripped out, likely as part of abatement.
The main entry and glass lobby of the Laz Chapman Pavilion (handsomely captured by Lee Bay) has been sealed up tight with plasterboard.
Most alarming, the lovely twin lamps which have long graced the entry of the main building have disappeared. As you can see by the dates here, this is a very recent development, and I'd bet whatever you like that the removal wasn't legally sanctioned -- in other words, somebody stole the lamps.
March 22, 2009
May 2, 2009
The round Wexler Pavilion has had two of its windows removed, with Dumpsters placed beneath the openings. Large-scale debris is piled up in the lobby. Recessed light fixtures in the exterior overhangs have been ripped out, likely as part of abatement.
The main entry and glass lobby of the Laz Chapman Pavilion (handsomely captured by Lee Bay) has been sealed up tight with plasterboard.
Most alarming, the lovely twin lamps which have long graced the entry of the main building have disappeared. As you can see by the dates here, this is a very recent development, and I'd bet whatever you like that the removal wasn't legally sanctioned -- in other words, somebody stole the lamps.
March 22, 2009
May 2, 2009
Labels:
demolition,
Michael Reese Hospital
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